Skip to main content

The Art of Persistence

More than anything, writing is an art of persistence.

There is a book I have been working on since I was 14. It is still as fresh in my mind as it was the day I made it up. I can still remember which characters I chose names for on that first day, which characters had been bouncing around in my head for years before then waiting for a story, and which ones I didn't add until this past year or are still changing names and genders and roles. 

I have wondered several times whether I should lay this one to rest. The sunk cost fallacy refers to an error in thinking that says, "I have already invested so much time into this bad relationship/failing project/awful job/expensive fixer-upper that if I bail on it now, I will have wasted all that time" and then proceeds to waste even more time and energy on it. The wisdom of the sunk cost fallacy is that sometimes, quitting is a good decision.

Yet while I entertained the idea, I never seriously considered quitting on this story. I would go write other things, edit the heck out of the MS, chop and cut and reposition until it was no longer recognizable -- but I did not give up on it. I persisted. And to be fair, it is SO HARD to revise something you wrote when you were in high school. I mean, really. So I am not even surprised it is taking this long. 

Not quite what this image means, but I couldn't resist.
Right now, I am in a very frustrating patch. I am prepping it for Camp NaNo in April -- which, like some of my previous attempts at NaNoWriMo, will probably be sidelined by grad school. I am writing so much new material that it barely counts as editing anymore. I will be effectively writing a new book this April. Hell, I once considered changing the genre to magitek. (Which would be awesome. You know, fantasy but with technomancers instead of necromancers. It is seriously tempting.)

All that aside, I think that it is going in a good direction. I am doing the patience thing. I am doing the persistence thing. 

It is paying off.

I am glad I did not quit this one. I do not think I'm committing a sunk cost fallacy here -- after all, imagination costs me nothing. Time? Energy? Sure, those cost. But after nearly ten years of working on this thing, it's not like I feel a huge time crunch or pressure anymore. It will be done when it is done. I have proven to myself that I can crank out a book in a year, but clearly that is not right for this project. I will finish it at its own pace. 

In the meantime, it is huge fun to put my daydreams to paper.

Comments

  1. A writer without persistence is just an occasional typist, as they say. Though I am one to talk, having at last shelved my own Novel 2 for the foreseeable future. But I look at it, in my case, as give myself permission to show persistence with other projects for a while.

    ReplyDelete
  2. There are very few feelings more satisfying than the feeling of breaking through the writer's block doldrums. That's one of the reasons I hung with this one.

    Also, persisting is not the right choice for every project...and I know I certainly did not prioritize this one for a long time, and am only starting to prioritize it again now. I have some shelved novels myself. I'm not sure what makes this one different. Maybe having a longer history with it means I won't give it up.

    ReplyDelete

Post a Comment

Comments make me happy, so leave lots! :) I will usually reply to each one, so click Notify Me to read my replies.

Popular posts from this blog

What if Iago was a Woman?

For all that I'm a theatre major, I hardly ever talk about acting on this blog. But this project is so cool and fantastic and awesome and wicked that I just have to take a minute and tell you about it. What if Iago was a woman? For those of you who don't know, Iago is a villain in Shakespeare's tragedy Othello. He is considered one of the worst, most evil antagonists in all of Shakespeare.  Plot summary: Othello is a Moor, which in those days referred to someone from Africa. He, a black man, marries Desdemona, a white woman. Society flips its shit, but they can't exactly do anything because he's the General of the Venetian navy and there's a war on. Desdemona, unable to stay with her angry father, goes with Othello to Cyprus, which is in rebellion. A storm sinks the enemy navy and our good guys arrive safely. Iago, though, is not happy. Because Othello passed him over for promotion (and assorted other reasons that all amount to "I just want to fuck sh

Kiffe Kiffe Tomorrow by Faïza Guène, a YA Book By A Young Author

Review time! Kiffe Kiffe Tomorrow is a young adult novel by a young adult, so I was very interested to read it. There's also a #MuslimShelfSpace tag going around, and this review is a nod to that. The idea is that there's been a lot of stereotypes and anti-Muslim sentiment spread around, so buying and boosting books about and by Muslims can help educate people and break down harmful stereotypes.  The author is French with an Algerian background, and  Guène  wrote Kiffe Kiffe Tomorrow when she was in her late teens. Although the novel is not autobiographical, she shares many things with its main character. Doria, like her creator, is the child of immigrants and lives in poor suburban housing projects.   Guène   wrote that she realized girls like herself weren't really represented in books, and felt that Kiffe Kiffe Tomorrow was a way to tell the stories of people in the suburbs who are ignored by the elites of French literature. Plot: Life Sucks, Until It Doesn

King Arthur Sucks.

I wrote a review of The Greenstone Grail by Amanda Hemingway , in which I applauded the book for being the first Arthurian adaptation I had read that I didn't despise. I mean, how could I? Despite the book's other problems, it had aliens riding motherfucking dragons!!! Aliens! Dragons! Parallel universes!  After reading my review, one of my friends asked me why I hate Arthurian legend so much.  Well.  Perhaps one of the reasons I liked The Greenstone Grail 's take on the Holy Grail myth was because it was so different.  Most Arthurian adaptations fall along the same lines. It's the same damn story told almost the same damn way all the time. But  The Greenstone Grail took place in modern times, borrowing from the Holy Grail and Arthurian myths without making it so central to the plot that there was no room for other stuff like imagination.  Say whatever else you want about this book ( and believe me, I did ), it had imagination. Its main character can dimension-